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guide some of the projects that we have identified, some of the actions that we have identified. <br />So I feel in general the Hawaiian community is looking at this in a good way. <br />GAGORIK:And if I may add, Commissioner Alameda, if you look at pages 22 and 23, <br />they were the results of the actual survey that we conducted. And you will note that education, <br />culture and arts is a key focus area for downtown and that people really value cultural events. <br />And I think that€s where that feel of the local -. <br />MOON:And particularly the host culture and the Hawaiian culture. <br />GAGORIK:Yeah, right. <br />ALAMEDA:Good. I noticed that. Thank you. <br />GALDONES:CommissionerSpringer? <br />SPRINGERI€mjustwonderinghowthisplansynchronizeswithothergeneralregional <br />or community plans. Like, for example, how this fits in with the General Plan. <br />GALDONES:Norman, would you be able to comment on it? <br />HAYASHI:I€d like to defer that question to the representative. <br />GAGORIK:I believe, Commissioner Springer, that community visioning is a segue to <br />community development planning. Community development plans are mentioned in the General <br />Plan. There is no mentioning of a community visioning process. It€s really out of the box. But <br />what we discovered was that this became a very vital method to bring the community together, <br />because I think the value of the visioning process is that it brings people together to look forward <br />in the future where they can develop a shared vision; and it allows them to come back to the <br />present and begin to think of how they can achieve that. And part of that process means <br />knowing the values of the community. And we€re beginning to understand now the values are <br />very important aspects for a community planning, because how we value our communities are <br />what we want to see in the future. And I think that this is a kick-start for community <br />development planning. What we€ve discovered during the process was that the books that are <br />presently sitting on the shelf were picked up. This document required us to look in the dungeon <br />for some of the old plans, as Leonard Bisel is there today and he is helping with the Wailuku <br />River project. But they had to go dig through all of these boxes to find plans that were hidden, <br />because people had kind of forgotten about them. But this plan allowed us to pick up that <br />landscaping plan, it also requires us to pick up the Downtown Improvement Association Plan <br />that was done, because there are some key information that can help make this happen. So they <br />work all in tandem. <br />SPRINGER:Mr. Chair? <br />GALDONES:Proceed. <br />6EXHIBIT B <br /> <br />